I could not resist buying this book, even though I am an
advanced sewer. I love Sarai’s aesthetic and made a few of her vintage-inspired
styles before. I thought, yes, it is a beginner guide, but I wanted to have the
patterns featured in the book. Eventually, patterns are the reason why I am
keeping it. However, if you are a beginner, you may want to check out the
content as well. Hope my review will help making your decision!
Seven chapters and five sewing projects guide readers
through these fundamentals.
CHAPTER 1 – Getting
Started – covers usual tools & supplies, machine and hand stitches and
provides a few beginner lessons and tips. I liked how Sarai made a few
techniques - inserting a zipper, or setting in a sleeve - sound and look so
simple. I wonder, however, whether setting in a sleeve – a dreaded step even
for advanced sewers - should be at the very start of the book, but it’s not a
big deal.
CHAPTER 2 – A
Thoughtful Plan – is one of my very favorites! This step is so often
overlooked by all sewers. It is so easy to get carried away by a beautiful
fabric, not thinking about thoughtful editing of your wardrobe. Sarai covers
the process of planning with tips on where
to find inspiration, how to process
it using moodboards, notebooks, sketchbooks, etc. She goes into individual style editing, inspired by your personality, your life
and your shape. She finishes the chapter with some tips on developing a seasonal wardrobe plan and using personal croquis (a sketch of a garment on your figure) as a
final step before making a concrete sewing project.
CHAPTER 3 - A Precise Pattern – introduces the
first sewing project – Meringue Skirt. (All her sewing
projects, including patterns she sells on her website, have very yummy names
and the styles in the book are no exception.). The chapter covers fabric preparation (pre-washing,
pressing, graining techniques), working
with a pattern, matching stripes or
plaids, tracing and marking pattern
lines and cutting. Using all this information a beginner
seamstress should be able to make the Meringue Skirt in a wide range of
materials. The skirt has a scalloped hem
– a cute detail and a great technique to learn! And I loved a simple black
version of it featured further in the book. Instructions are detailed and
include tips such as Fabric Selection
or Grading Seams.
CHAPTER 4 – A
Fantastic Fit . The author explains how a certain shape is achieved by using ease, darts and fullness. I liked
how she covered alternatives to the pattern style achieved through manipulation
of darts or their elimination. The
fitting process includes MUSLIN MAKING AND ADJUSTMENT, yay! Finally, someone
thought of explaining benefits of muslins in a book. No fast sewing here –
Sarai aims at quality. Taking
measurements is explained too briefly, but I understand the limitations of the
book. Information on measuring your body is just enough to move on.
Later in the Fit Chapter, the book lays down most common
fitting problems and offers a few alterations. I think this part is just
scratching the surface. Judge yourself: alterations covered are: Torso length, Sway back, Hip width, Large or small waist and Bust fullness alteration. I would have
included shoulder slope adjustment as it is the first thing you should check
for fit. Also, the fitting sequence is crucial and is not really covered in the
book. So, if you buy this book, make sure you do have a good fitting book as
well.
Also, I think that it would have been more logical if the
Fit chapter preceded the chapter with the first sewing project, but I hope a
beginner seamstress would skim through chapters before taking on that skirt.
However, the Pastille
Dress – another sewing project – is a candy!
CHAPTER 5 – A Beautiful
Fabric – helps beginner seamstresses to think about fabric as a key factor
in achieving a beautiful garment. Sarai covers main fabric qualities, such as stretch, texture, sheen, weight and drape. It is just enough information to make the reader think: Will
my fabric behave the way I want it to?
Fibers are the next topic in the chapter with some very basic
information. Weaves and knits are covered too. I would have added a sentence or
two on the advantages of each weave, but, well… Interfacing, thread, needle types sections help choose
correct notions. Print and Patterns
give an overview of most common types; and Tricky
Fabrics offers a few tips on working with Faux Fur, Denim, Velvet and Corduroy. I though this latter part
was too brief to be useful, actually…
This Chapter’s Truffle
Dress, however, is a beautiful
and versatile project that offers you an opportunity to make it in different
fabrics changing the overall look and feel of the garment!
CHAPTER 6 – A Fine
Finish (another alliteration) – has a great bias tape tutorial, which was actually featured on Sarai’s blog
Coletterie. French Seam, Flat Felled,
Serged and Pinked Seams round up the selection of seam finishes in the book. Some common lining choices are given as
well, but, again, not very helpful for a beginner trying to make a choice. A
few words on key features of each of the choices would help. Why silk charmeuse
or not crepe de chine? The advantage of Bemberg Rayon over silk lining? (what is
durability?) I am not picking at the book – just trying to say that it would
benefit from more explanation, rather than lists, especially when it comes to
fabric choices.
Again, the Tuffy
Blouse is sooo sweet! But it is cut on the bias! Where are the tips on
handling bias cuts? And suggested fabrics are chiffon, gorgette, lawn and silk
charmeuse!.. Instructions suggest
pinning and stitching, and at this point I can only think of stretched or
puckered seams… Sarai may be more confident about her audience, but for me this
project requires greater-than-average sewing skills.
CHAPTER 7 – Keep
Learning – offers a list of useful resources and recommends a few websites
and blogs. It finishes with the Licorice dress – which, according to the
author, combines all the principles from the book.
The Verdict:
Although there is some great content in the book, it would have
benefited from some thoughtful editing! Getting rid of some advanced or
specialized techniques (such as tricky fabrics, for example), and elaborating
on more crucial processes essential to make included projects, such as fitting
and working with the bias.
Also, the author doesn’t cover pants or a jacket. On the other hand, dresses, skirts and
blouses are Sarai’s specialty. She recently released a cigarette pant pattern –
a Clover, which is relatively easy to fit and construct because of the use of
stretch fabric.
If you are a beginner,
by all means, buy this book but make sure it is not you only reference. And do
check out Sarai’s blog Coletterie, which has by far more resources than the
book.
If you are an
intermediate or advanced sewer with great appreciation of vintage-inspired
aesthetic, buy this book because of the patterns! No apron, postcard or tote sewing here, but a beautiful
wardrobe! That is why it is worth every cent I paid for it.
I LOVE EVERY SINGLE STYLE IN THIS BEAUTIFULLY DESIGNED BOOK!
Readers, what about you? Did you order the book? Or are you going to? What's your opinion on it?





Great outline of the book! I'm definitely buying it :)
ReplyDeleteGreat review.... Ohh I need one too.
ReplyDelete